ORPHIC FRAGMENT 110
OTTO KERN
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SUMMARY: This fragment discusses the application of the names of the Gods by the Orphic theologians.
110. (93) σχόλιον Πρόκλου επὶ Παρμενίδου Πλάτωνος 647, 9 Cous.:
ἡ δὲ τῶν Ὀρφικῶν (sc. ἐφερμήνευσις) τῆς Ἑλληνικῆς οὖσα θεολογίας ἰδία Κρόνον καὶ Δία (κ. Δ. an delendum?) καὶ Οὐρανὸν καὶ Νύκτα καὶ Κύκλωπας (fragment 109) καὶ Ἑκατόγχειρας (ibidem) ἐπιφημίζουσα (εὐφημίζουσα Β) ταῖς ἀκροτάταις τῶν πάντων ἀρχαῖς.
“But from the Orphic view, (being an interpretation) of Hellenic theology, they are applying the names Krónos (Κρόνος), Zefs (Ζεύς), Ouranós (Οὐρανός), Nyx, the Kýklôpæs (Κύκλωπες) (fragment 109), and the Ækatónkeiræs (Ἑκατόγχειρες) (in the same place [fr. 109]) to the highest of all things in first principles.”
(trans. by the author)
Ἑρμείου φιλοσόφου εἰς τὸν Πλάτωνος Φαῖδρον σχόλια 247 c p. 150, 2 Couvr.:
διὰ δὲ τοῦ ἀναφὴς (ἀναφοῦς codd.; corr. Couvr.) ὅτι καὶ ὑπὲρ τοὺς Ἑκατόγχειράς ἐστι δηλοῖ· οὗτοι γὰρ πρῶτοι οἷον ἐφάπτονται τῆς πάσης δημιουργίας· διὸ καὶ Ἑκατόγχειρας αὐτοὺς ἡ θεολογία προσαγορεύει· διὰ γὰρ τῶν χειρῶν πάντων ἡμεῖς ἐφαπτόμεθα καὶ ποιοῦμεν καὶ διακρίνομεν· ἔτι καὶ ἡ ἁφὴ διὰ παντὸς πεφοίτηκε (cf. Couvr. p. 271 n. 9) τοῦ σώματος. συμβολικῶς οὖν Ἑκατόγχειρας ὠνόμασε τούτους ἡ θεολογία ὡς πάσης ἐφαπτομένους τῆς δημιουργίας καὶ αἰτίους αὐτῆς ὄντας. ἔστι δὲ ἡ τριὰς τῶν Ἑκατογχείρων φρουρητική.
“Through the intangible, he reveals that he is also above the Ækatónkeiræs (Ἑκατόγχειρες); for they are first to “put a hand” on all creation (δημιουργίας), on which account the theology calls them by name the ‘Hundred-handers.’ For through all our hands we touch and make and separate; and yet through them, touch roams wildly about (compare Couvr. p. 271 n. 9), touching (ἁφὴ) the whole body. It is certainly symbolic that the theology called them Ækatónkeiræs from touching the entire creation and (thus) are responsible for it. And the triad of the Ækatónkeiræs is suitable for protection (φρουρητική).”
(trans. by the author)
This logo is the principal symbol of this website. It is called the CESS logo, i.e. the Children of the Earth and the Starry Sky. The Pætilía (Petelia, Πετηλία) and other golden tablets having this phrase are the inspiration for the symbol. The image represents this idea: Earth (divisible substance) and the Sky (continuous substance) are the two kozmogonic substances. The twelve stars represent the Natural Laws, the dominions of the Olympian Gods. In front of these symbols is the seven-stringed kithára (cithara, κιθάρα), the the lyre of Apóllôn (Apollo, Ἀπόλλων). It (here) represents the bond between Gods and mortals and is representative that we are the children of Orphéfs (Orpheus, Ὀρφεύς).
PLEASE NOTE: Throughout the pages of this website, you will find fascinating stories about our Gods. These narratives are known as mythology, the traditional stories of the Gods and Heroes. While these tales are great mystical vehicles containing transcendent truth, they are symbolic and should not be taken literally. A literal reading will frequently yield an erroneous result. The meaning of the myths is concealed in code. To understand them requires a key. For instance, when a God kills someone, this usually means a transformation of the soul to a higher level. Similarly, sexual union with a God is a transformation.
We know the various qualities and characteristics of the Gods based on metaphorical stories: Mythology.
Dictionary of terms related to ancient Greek mythology: Glossary of Hellenic Mythology.
SPELLING: HellenicGods.org uses the Reuchlinian method of pronouncing ancient Greek, the system preferred by scholars from Greece itself. An approach was developed to enable the student to easily approximate the Greek words. Consequently, the way we spell words is unique, as this method of transliteration is exclusive to this website. For more information, visit these three pages:
Pronunciation of Ancient Greek
Transliteration of Ancient Greek
Pronouncing the Names of the Gods in Hellenismos
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