HellenicGods.org - ORPHIC CRITICAL TESTIMONY 222

ORPHIC CRITICAL TESTIMONY 222

OTTO KERN

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For links to many more fragments: The Orphic Fragments of Otto Kern.

SUMMARY: This testimony, from the Christian church-father Clement of Alexandria, lists a number of Orphic texts along with their supposed authors.

ORPHIC CRITICAL TESTIMONY 222

Λόγος Στρώματα Κλήμεντος του Ἀλεξανδρέως I 21, 131, 3-5 (II 81, 7 Staeh.:

καὶ τοὺς μὲν ἀναφερομένους εἰς Μουσαῖον χρησμοὺς Ὀνομακρίτου εἶναι λέγουσι, τὸν Κρατῆρα δὲ τὸν Ὀρφέως Ζωπύρου τοῦ Ἡρακλεώτου (nr. 179) τήν τε Εἰς Ἅιδου κατάβασιν Προδίκου τοῦ Σαμίου (nr. 200). Ἴων δὲ ὁ Χῖος (nr. 248) ἐν τοῖς Τριαγμοῖς καὶ Πυθαγόραν εἰς Ὀρφέα ἀνενεγκεῖν τινα ἱστορεῖ. Ἐπιγένης (nr. 229) δὲ ἐν τοῖς Περὶ τῆς εἰς Ὀρφέα ποιήσεως Κέρκωπος (nr. 174) εἶναι λέγει τοῦ Πυθαγορείου τὴν Εἰς Ἅιδου κατάβασιν καὶ τὸν Ἱερὸν λόγον, τὸν δὲ Πέπλον καὶ τὰ Φυσικὰ Βροντίνου (nr.173).

“And the Oracles ascribed to Musæus are said to be the production of Onomacritus, and the Crateres of Orpheus the production of Zopyrus of Heraclea, and The Descent to Hades that of Prodicus of Samos. Ion of Chios relates in the Triagmi, that Pythagoras ascribed certain works [of his own] to Orpheus. Epigenes, in his book respecting The Poetry attributed to Orpheus, says that The Descent to Hades and the Sacred Discourse were the production of Cecrops the Pythagorean; and the Peplus and the Physics of Brontinus.”

(trans. William Wilson, 1885)

On Epigenes see nr. 229; the catalog of Epigenes is undoubtedly also held to be the same as the foundation of that in the Souda (nr. 223 d).

The story of the birth of the Gods: Orphic Theogony.

We know the various qualities and characteristics of the Gods based on metaphorical stories: Mythology.

Dictionary of terms related to ancient Greek mythology: Glossary of Hellenic Mythology.

Introduction to the Thæí (the Gods): The Nature of the Gods.

How do we know there are Gods? Experiencing Gods.

This logo is the principal symbol of this website. It is called the CESS logo, i.e. the Children of the Earth and the Starry Sky. The Pætilía (Petelia, Πετηλία) and other golden tablets having this phrase are the inspiration for the symbol. The image represents this idea: Earth (divisible substance) and the Sky (continuous substance) are the two kozmogonic substances. The twelve stars represent the Natural Laws, the dominions of the Olympian Gods. In front of these symbols is the seven-stringed kithára (cithara, κιθάρα), the the lyre of Apóllôn (Apollo, Ἀπόλλων). It (here) represents the bond between Gods and mortals and is representative that we are the children of Orphéfs (Orpheus, Ὀρφεύς).

PLEASE NOTE: Throughout the pages of this website, you will find fascinating stories about our Gods. These narratives are known as mythology, the traditional stories of the Gods and Heroes. While these tales are great mystical vehicles containing transcendent truth, they are symbolic and should not be taken literally. A literal reading will frequently yield an erroneous result. The meaning of the myths is concealed in code. To understand them requires a key. For instance, when a God kills someone, this usually means a transformation of the soul to a higher level. Similarly, sexual union with a God is a transformation.

We know the various qualities and characteristics of the Gods based on metaphorical stories: Mythology.

Dictionary of terms related to ancient Greek mythology: Glossary of Hellenic Mythology.

SPELLING: HellenicGods.org uses the Reuchlinian method of pronouncing ancient Greek, the system preferred by scholars from Greece itself. An approach was developed to enable the student to easily approximate the Greek words. Consequently, the way we spell words is unique, as this method of transliteration is exclusive to this website. For more information, visit these three pages:

Pronunciation of Ancient Greek

Transliteration of Ancient Greek

Pronouncing the Names of the Gods in Hellenismos

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