ORPHIC CRITICAL TESTIMONY 259
OTTO KERN
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For links to many more fragments: The Orphic Fragments of Otto Kern.
SUMMARY: This testimony, from The Institutes of Oratory by Quintilian, says that Orpheus and Linus united the roles of musician, poet and philosopher.
ORPHIC CRITICAL TESTIMONY 259
Quintilliani de institutione oratoria I 10, 9 p. 58, 8 Raderm:
nam quis ignorat musicen (ut de hae primum loquar) tantum iam illis antiquis temporibus non studii modo verum etiam venerationis habuisse, ut iidem musici et vates et sapientes iudicarentur (mittam alios) Orpheus et Linus; quorum utrumque dis genitum, alterum vero, quia rudes quoque atque agrestes animos admiratione mulceret, non feras modo sed saxa etiam silvasque duxisse posteritatis memoriae traditum est.
“Who is ignorant of the fact that music, of which I will speak first, was in ancient times the object not merely of intense study but of veneration: in fact Orpheus and Linus, to mention no others, were regarded as uniting the roles of musician, poet and philosopher. Both were of divine origin, while the former, because by the marvel of his music he soothed the savage breast, is recorded to have drawn after him not merely beasts of the wild, but rocks and trees.”
(trans. Harold Edgeworth Butler, 1920)
Christian Lobeck Aglaophamus I 270 n. p.
The story of the birth of the Gods: Orphic Theogony.
We know the various qualities and characteristics of the Gods based on metaphorical stories: Mythology.
Dictionary of terms related to ancient Greek mythology: Glossary of Hellenic Mythology.
Introduction to the Thæí (the Gods): The Nature of the Gods.
How do we know there are Gods? Experiencing Gods.