ORPHIC CRITICAL TESTIMONY 128

OTTO KERN

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For links to many more fragments: The Orphic Fragments of Otto Kern.


SUMMARY: This testimony is an anonymous epitaph or elegy for Orpheus from the Greek Anthology.

ORPHIC CRITICAL TESTIMONY 128

Ἑλληνική Ἀνθολογία VII 10 ἀνώνυμος (or Ἀντίπατρος ὁ Σιδώνιος? Stadtmuell.):

Καλλιόπης Ὀρφῆα καὶ Οἰάγροιο θανόντα

ἔκλαυσαν ξανθαὶ μυρία Βιστονίδες·

στικτοὺς δ᾽ ἡιμάξαντο βραχίονας ἀμφὶ μελαίνηι

δευόμεναι σποδιῆι Θρηίκιον πλόκαμον·

καὶ δ᾽ αὐταὶ στοναχεῦντι σὺν εὐφόρμιγγι Λυκείωι*

ἔρρηξαν Μοῦσαι δάκρυα Πιερίδες

μυρόμεναι τὸν ἀοιδὸν· ἐπωιδύραντο δὲ έτραι

καὶ δρύες ἃς ἐρατῆι τὸ πρὶν ἔθελγε λύρηι.

“The fair-haired daughters of Bistonia shed a thousand tears for Orpheus dead, the son of Calliope and Oeagrus; they stained their tattooed arms with blood, and dyed their Thracian locks with black ashes. The very Muses of Pieria, with Apollo*, the master of the lute, burst into tears mourning for the singer, and the rocks moaned, and the trees, that erst he charmed with his lovely lyre.”

(trans. W. R. Paton, 1917)

*W. R. Paton is translating Λύκειος as “Apollo” because Λύκειος, a word with many gradations of meaning, is one of the major epithets of Apollo.


The story of the birth of the Gods: Orphic Theogony.

We know the various qualities and characteristics of the Gods based on metaphorical stories: Mythology.

Dictionary of terms related to ancient Greek mythology: Glossary of Hellenic Mythology.

Introduction to the Thæí (the Gods): The Nature of the Gods.

How do we know there are Gods? Experiencing Gods.