ORPHIC CRITICAL TESTIMONY 3

OTTO KERN

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For links to many more fragments: The Orphic Fragments of Otto Kern.


APOLLINIS ET SOLIS CULTOR (The Worshipper of Apollo and the Sun)

SUMMARY: This testimony mentions the Bassarae, a lost play of Aeschylus, in which Orpheus is said to rise every morning and worship Apollo as the rising sun.

ORPHIC CRITICAL TESTIMONY 45.

Βασσάραι Αἰσχύλου* (Jessen RE2 III 104) the second play of the Lycurgian tetralogy Nauck FTG2 p. 9; G. Haupt Comment. archaeol. on Aeschylus (Diss. Hal. XIII 1896) 146; Kern Orpheus 6; Robert Heldens. I 402; v. nr. 113.

*Translator’s note: The Vassárai (Βασσάραι or sometimes called the Βασσαρίδες) is a lost play of Aishýlos (Αἰσχύλος), but the general story of the play is known (from Καταστερισμοί ψευδούς Ἐρατοσθένους): Orphéfs (Ὀρφεύς) descends to the underworld to retrieve his beloved wife, but fails at this task. He comes back to the land of the living, but now he worships Apollo as the greatest of Gods and he calls him the Sun. Every day Orphéfs would rise before daybreak and go to Mount Pangaion (Παγγαῖον) to await the rise of Helios. Because of this, Dionysos was angry with him and caused the Maenads (Βασσαρίδες, they who wore fox-skins) to turn against him, and they tore apart his body, scattering the parts about. But the Mousai (Μοῦσαι) gathered the pieces of Orpheus together again and buried them at Leivîthra (Λείβηθρα), at the foot of Mount Ólymbos (Όλυμπος) in Macedonia.


The story of the birth of the Gods: Orphic Theogony.

We know the various qualities and characteristics of the Gods based on metaphorical stories: Mythology.

Dictionary of terms related to ancient Greek mythology: Glossary of Hellenic Mythology.

Introduction to the Thæí (the Gods): The Nature of the Gods.

How do we know there are Gods? Experiencing Gods.