ORPHIC CRITICAL TESTIMONY 197
OTTO KERN
HellenicGods.org
HOME GLOSSARY RESOURCE ART LOGOS CONTACT
For links to many more fragments: The Orphic Fragments of Otto Kern.
THRACIAE (Of Thrace; v. nr. 30 ss.)
SUMMARY: In the first quotation from this testimony, the Souda says that Orpheus was either Arcadian or from Bisaltia in Thrace; the second quotation, from Eustathius, the Christian archbishop of Thessalonica and commentator on Homer, calls Orpheus Ciconian.
ORPHIC CRITICAL TESTIMONY 197
Souda: Orphéfs Kikonaios (Ὀρφεὺς Κικοναῖος):
ἢ Ἀρκάς <ἢ ?> ἐκ Βισαλτίας τῆς Φραικικῆς, ἐποποιός. γέγονε δὲ καὶ οὗτος πρὸ Ὁμήρου, δύο γενεαῖς πρεσβύτερος τῶν Τρωικῶν. ἔγραψε δὲ μυθοποιίαν, ἐπιγράμματα, ὕμνους.
“... or Arcadian or from Visaltía (Βισαλτία) of Thrace, an epic poet. But also, this man lived before Ómiros (Ὅμηρος), two generations older than the Trojan War. And he wrote fables, epigrams, and hymns.”
(trans. by the author)
v. Παρεκβολαὶ εἰς τὴν Ὁμήρου Ἰλιάδα Εὐσταθίου Θεσσαλονίκης B 597 p. 299, 5:
καὶ ὅτι Θρᾶικες ἦσαν οἱ ἐπιμεληθέντες τῆς ἀρχαίας μουσικῆς Ὀρφεὺς Μουσαῖος καὶ Θάμυρις· καὶ ὅτι ἐν τῆι ἀκτῆι τῆι περὶ τὸν Ἄθων Θάμυρις ὁ Θρᾶιξ ἐβασίλευσε, τῶν αὐτῶν ἐπιτηδευμάτων γενόμενος, ὧν καὶ ὁ Κίκων Ὀρφεύς, ὃς Ὀρφεύς τὰ πρῶτα μὲν ἀγυρτεύων διέζη, εἶτα καὶ μειζόνων ἀξιῶν ἑαυτὸν καὶ ὄχλον καὶ δύναμιν περιποιούμενος διεφθάρη ἐξ ἐπισυστάσεως, ἀνὴρ γόης ἀπὸ μουσικῆς τε καὶ μαντικῆς καὶ τῶν περὶ τὰς τελετὰς ὀργιασμῶν.
“And (it is said) that Orphéfs (Ὀρφεὺς), Mousaios (Μουσαῖος), and Thámyris were the Thracians who promoted the cultivation of ancient music; and that on the headland around Mount Áthôs (Ἄθως), Thámyris the Thracian reigned, having engaged in the same pursuits as those that Kikonian Orphéfs also pursued; Orphéfs first lived by begging, and then, considering himself worthy of greater things, and acquiring a great following and influence, was killed from a rebellion; a magician by means of music and prophecy and the rites of initiation into Mysteries.”
(trans. by the author)
Γεωγραφικὰ Στράβωνος VII 35 (numbered in Kern 330) fr. 18 nr. 40:
ἔστι δ᾽ ὁ Ἄθως ὄρος ὑψηλὸν καὶ μαστοειδές, ὥστε τοὺς ἐν ταῖς κορυφαῖς ἤδη ἀνίσχοντος ἡλίου κάμνειν ἀροῦντας, ἡνίκα ἀλεκτοροφωνίας ἀρχὴ παρὰ τοῖς τὴν ἀκτὴν οἰκοῦσίν ἐστιν. ἐν δὲ τῆι ἀκτῆι ταύτηι Θάμυρις ὁ Θρᾶιξ ἐβασίλευσε, τῶν αὐτῶν ἐπιτηδευμάτων γεγονὼς ὧν καὶ Ὀρφεύς.
“Mount Athos is pap-shaped, and so lofty that the husbandmen on the summit are already weary of their labour, the sun having long since risen to them, when to the inhabitants of the shore it is the beginning of cockcrowing. Thamyris, the Thracian, was king of this coast, and followed the same practices as Orpheus.”
(trans. H.C. Hamilton and W. Falconer, 1903)
The story of the birth of the Gods: Orphic Theogony.
We know the various qualities and characteristics of the Gods based on metaphorical stories: Mythology.
Dictionary of terms related to ancient Greek mythology: Glossary of Hellenic Mythology.
Introduction to the Thæí (the Gods): The Nature of the Gods.
How do we know there are Gods? Experiencing Gods.
This logo is the principal symbol of this website. It is called the CESS logo, i.e. the Children of the Earth and the Starry Sky. The Pætilía (Petelia, Πετηλία) and other golden tablets having this phrase are the inspiration for the symbol. The image represents this idea: Earth (divisible substance) and the Sky (continuous substance) are the two kozmogonic substances. The twelve stars represent the Natural Laws, the dominions of the Olympian Gods. In front of these symbols is the seven-stringed kithára (cithara, κιθάρα), the the lyre of Apóllôn (Apollo, Ἀπόλλων). It (here) represents the bond between Gods and mortals and is representative that we are the children of Orphéfs (Orpheus, Ὀρφεύς).
PLEASE NOTE: Throughout the pages of this website, you will find fascinating stories about our Gods. These narratives are known as mythology, the traditional stories of the Gods and Heroes. While these tales are great mystical vehicles containing transcendent truth, they are symbolic and should not be taken literally. A literal reading will frequently yield an erroneous result. The meaning of the myths is concealed in code. To understand them requires a key. For instance, when a God kills someone, this usually means a transformation of the soul to a higher level. Similarly, sexual union with a God is a transformation.
We know the various qualities and characteristics of the Gods based on metaphorical stories: Mythology.
Dictionary of terms related to ancient Greek mythology: Glossary of Hellenic Mythology.
SPELLING: HellenicGods.org uses the Reuchlinian method of pronouncing ancient Greek, the system preferred by scholars from Greece itself. An approach was developed to enable the student to easily approximate the Greek words. Consequently, the way we spell words is unique, as this method of transliteration is exclusive to this website. For more information, visit these three pages:
Pronunciation of Ancient Greek
Transliteration of Ancient Greek
Pronouncing the Names of the Gods in Hellenismos
PHOTO COPYRIGHT INFORMATION: The many pages of this website incorporate images, some created by the author, but many obtained from outside sources. To find out more information about these images and why this website can use them, visit this link: Photo Copyright Information
DISCLAIMER: The inclusion of images, quotations, and links from outside sources does not in any way imply agreement (or disagreement), approval (or disapproval) with the views of HellenicGods.org by the external sources from which they were obtained.
Further, the inclusion of images, quotations, and links from outside sources does not in any way imply agreement (or disagreement), approval (or disapproval) by HellenicGods.org of the contents or views of any external sources from which they were obtained.
For more information: Inquire.hellenicgods@gmail.com
For answers to many questions: Hellenismos FAQ
© 2010 by HellenicGods.org. All Rights Reserved.