ORPHIC CRITICAL TESTIMONY 27
OTTO KERN
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SUMMARY: This testimony consists of various opinions as to who were the brothers of Orpheus.
ORPHIC CRITICAL TESTIMONY 27.
Ymǽnaios (Ὑμέναιος), Iálæmos (Ἰάλεμος) nr. 22.
Kýmothôn (Κύμοθων)? Σχολιαστὴς επὶ Λυκόφρονος 831 p. 266, 5 Scheer:
διότι πολλὰς αὐτῶν εἰς ἔρωτα κινήσασα (Ἀφροδίτη) ἔπεισεν ἀνδράσι μιγῆναι καὶ τεκεῖν οἷον Καλλιόπην ἐξ Οἰάγρου τεκεῖν Ὀρφέα καὶ Κυμόθωνα (s4] κυδρόθωνα a κυμόθω γ2; Ἤμαθον vel Ἠμαθίωνα Lobeck I 325 n. 1, cui assentitur Maaß Orph. 155 n. 49) Τερψιχόρην ἐκ Στρυμόνος Ῥῆσον, Κλειὼ δ' ἐκ Μάγνητος Λίνον.
“Because (Ἀφροδίτη), having moved many of them to love, persuaded them to become mingled with men and to bear young, such as Kalliópî (Καλλιόπη) to bear Orphéfs (Ὀρφεὺς) and Kýmothôn (Κύμοθων) from Íagros (Οἴαγρος), Tǽrpsikhórî (Τερψιχόρη) to bear Rísos (Ῥῆσος) from Strymóhn (Στρυμών), and Kleióh (Κλειώ) to bear Línos (Λίνος) from Mágnîs (Μάγνης).”
(trans. by the author)
Línos (Λίνος) - Βιβλιοθήκη Ἀπολλοδώρου I 14 nr. 22 (Fraser numbering: 1.3.2):
Καλλιόπης μὲν οὖν καὶ Οἰάγρου, κατ᾽ ἐπίκλησιν δὲ Ἀπόλλωνος, Λίνος, ὃν Ἡρακλῆς ἀπέκτεινε, καὶ Ὀρφεὺς ὁ ἀσκήσας κιθαρῳδίαν, ὃς ᾁδων ἐκίνει λίθους τε καὶ δένδρα.
“Now Calliope bore to Oeagrus or, nominally, to Apollo, a son Linus, whom Hercules slew; and another son, Orpheus, who practised minstrelsy and by his songs moved stones and trees.”
(Sir James George Frazer, 1921)
v. also in Martialis Epigrammata IX 86, 5:
cum grege Pierio maestus Phoeboque querebar,
‘ipse meum flevi’ dixit Apollo ‘Linon’:
respexitque suam quae stabat proxima fratri
Calliopen et ait: 'tu quoque vulnus habes’.
“I grieved with the band from Pieria (i. e. the Muses) and Phoebus,
‘I myself wept,’ said Apollo ‘for Linus:’
He looked back at his own (sister), who was close to his brother,
Calliope, and affirms: ‘You also have misfortune.’ ”
(trans. by the author)
Marsýas (Μαρσύας) – Hyginus Fabulae f. 165:
Oeagri filius, pastor, unus ex Satyris (tibias invenit).
“(Marsyas) the son of Oeagrus, a shepherd, one of the Satyrs (he found the flute*).”
(trans. by the author)
*Ed. According to the myth, the Goddess Athena was playing the flute, but had observed her reflection in the water and was disgusted to see her cheeks puffed out, so she abandoned it, but the flute was later found by Marsýas.
The story of the birth of the Gods: Orphic Theogony.
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Dictionary of terms related to ancient Greek mythology: Glossary of Hellenic Mythology.
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